How Thomas Mann Wrote the Magic Mountain

Free audiobook tips and a 'burger' fight: Thomas Mann ignites the comments

TLDR: A new study explains how World War I reshaped Thomas Mann’s The Magic Mountain and cemented its modernist status. In the comments, one camp chased a free German audiobook while another fought a “burgher vs Bürger” word battle—proof that classics still spark tussles over access and meaning.

The article lifts the veil on how Thomas Mann forged The Magic Mountain—starting as a light novella, then ballooning into a long, strange modernist peak after World War I—and the comments instantly turned chaotic in the most internet way. One reader, lukan, dropped a hot tip for a German audio version of Der Zauberberg, linking to a public radio production here. With the line that it’s public broadcast and “easy to find for free,” the thread flirted with a mini-drama over legality versus public-service access. Call it Team Free Audio vs Team Pay Your Dues.

Meanwhile, cl3misch whipped out the red pen and went to town on the word “burgher,” asking if it’s a misspelling of German “Bürger” and pointing to the Sri Lankan “Burgher people.” Cue the burger vs Bürger meme parade: jokes about hamburgers vs citizens, and whether Mann was a middle-class “burger” with extra pickles. The vibe: half book club, half language police, fully entertained. While the piece dives into Mann’s contradictions—buttoned-up family man with morbid fixations, politics swinging from staunch conservative to Weimar defender—and the novel’s philosophical duel (humanist Settembrini vs radical Naphta), the comments turned that into their own duel: accessibility hunters vs accuracy hawks. High art, low-stakes beef, maximum drama—Mann would’ve loved the irony.

Key Points

  • Morten Høi Jensen’s study portrays Thomas Mann as a figure of contradictions and examines how The Magic Mountain was created and received.
  • The novel, begun in 1913 and finished over a decade later, expanded from a planned novella due to World War I’s impact on Mann’s outlook and the work’s scope.
  • Despite Mann’s doubts, the novel was widely embraced in Europe and later in America, where its publisher emphasized its “use value.”
  • Mann’s political evolution—from conservatism to defending the Weimar Republic and later opposing the Third Reich—informs the ideological debates in the novel (Settembrini vs. Naphta).
  • The article criticizes Jensen’s attempts to revise views of Mann’s parenting and marriage as weakly supported, contrasting them with prior biographical evidence.

Hottest takes

"so should be easy to find for free" — lukan
"I assume "burgher" is a misspelling of German "Bürger"?" — cl3misch
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