The Manifold Mind of Saul Bellow

Millennials discover Bellow, and the book nerd war ignites

TLDR: A reverent essay praising Saul Bellow’s depth sparked a fierce comment war: fans say he’s the cure for shallow, TV-like novels, while others call the piece elitist and anti-popular. Jokes and memes flew, but the fight stayed: serious literature vs big-name comfort reads—and nobody budged.

An earnest tribute to Saul Bellow—Nobel-winning novelist and patron saint of “serious” fiction—dropped via The Literarian Gazette and The Metropolitan Review, and the comments instantly turned into a literary steel-cage match. Team Bellovian cheered the essayist’s tale of speed-reading Ravelstein in New Delhi and hailed Bellow as the antidote to the 2000s “TV-ified” book boom. Opponents fired back, calling the piece elitist gatekeeping that dunks on fan favorites like J.K. Rowling and George R.R. Martin just to feel smarter.

The hottest takes? Some readers declared Bellow “a mature man’s writer” and claimed today’s blockbusters are “empty calories,” while others clapped: “If books don’t make you feel, they’re just homework.” The thread became a referendum on the 2000s: was “hysterical realism” (a term for showy, chaotic novels) the problem, or did snobbery ruin the fun? Memes flew—“Eat, Pray, Bellow,” “Cloud Atlas of cringe,” and “Freakonomics tote bag club”—alongside jokes about “airport novels vs train-station wisdom.”

One reflective voice, sibeliuss, wondered why a twentysomething found comfort in Bellow’s very adult themes—aging, illness, friendship—which set off a storm of replies arguing whether literature should challenge or cuddle. Verdict: no one’s switching sides, but everyone’s quoting Bellow while subtweeting your bookshelf.

Key Points

  • The essay reflects on Saul Bellow’s legacy 20 years after his death, centering on a first reading of Ravelstein in New Delhi, India.
  • Ravelstein is presented as Bellow’s final novel, engaging themes such as Jewishness, illness, aging, mortality, marriage, politics, history, and friendship.
  • The article surveys 2000s literary and publishing trends, naming prominent authors and movements and referencing James Wood’s term “hysterical realism.”
  • It notes that major titles like Harry Potter, A Song of Ice and Fire, and Eat, Pray, Love were adapted for screens, highlighting the importance of Hollywood options.
  • The piece contrasts these trends with a desire for “literature” and positions Bellow as a counterpoint to television-influenced aesthetics in the era.

Hottest takes

"What did the man have to offer me, so green, so goyish?" — sibeliuss
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