April 10, 2026
The slime awakens
VFX HQ: Visual Effects Headquarters (2000)
Vintage VFX site resurfaces and sparks a full-on CGI nostalgia war
TLDR: A beloved 2000 archive, VFX HQ, resurfaced with deep dives on Titanic, Starship Troopers, Star Wars Special Editions, and Flubber, igniting a huge nostalgia brawl. Fans praise old-school craft, argue over George Lucas’ edits, and joke that ’90s bugs and slime outshine today’s glossy CGI—proof the VFX debate never died.
The internet just dusted off a time capsule: VFX HQ, a 2000-era shrine to movie magic, and the comments section is treating it like they found the lost Ark. Fans are binging the nine-page deep dive on James Cameron’s Titanic and yelling that this is how visual effects (movie trickery) should be: use computers when you must, build stuff for real when you can. Meanwhile, Starship Troopers’ bug battles got crowned the surprise MVP, with people swearing the swarms look more “alive” than some modern mega-budget spectacles.
But the biggest cage match? The Star Wars Special Editions. The thread exploded into two loud camps: Team “Release the originals already!” versus Team “Lucas can tweak his art.” It’s a full-on feelings fest, complete with meme wars—“Han Shot First” banners, and “Greedo Aimbot” jokes. Even Flubber is having a moment, as commenters ironically stan the little green goo and post “Slime Supremacy” gifs, calling it the “MCU of 1997.” Old-school names like Phil Tippett and Industrial Light & Magic get showered with love, while others roast modern films for over-polishing. The vibe is half museum tour, half bar fight, all nostalgia—proof that two decades later, nothing unites the internet like arguing about spaceships, slime, and whether CGI should be seen or not seen.
Key Points
- •VFX HQ (2000), produced by Todd Vaziri, aggregates visual effects coverage for multiple major films.
- •Titanic features a nine-page VFX review and high-resolution stills highlighting large-scale effects work.
- •Starship Troopers coverage includes interviews with VFX figures Phil Tippett, Scott E. Anderson, Scott Squires, and Mark Sullivan.
- •The Star Wars Special Editions section reviews added visual effects and presents a point-counterpoint on their pros and cons.
- •Flubber coverage features ILM’s Tom Bertino and Sandy Karpman and Dream Quest’s Doug Smith discussing the creation of the film’s green character.