Hitchcock and Herrmann: The Friendship and Film Scores That Changed Cinema

How Hitchcock became a brand, and fans are still obsessed with the spooky empire

TLDR: The article says Hitchcock’s real late-career superpower was turning himself into a giant entertainment brand through TV and books, even while his films declined. The comment mood is less film-school analysis and more amused detective work: fans are hooked by the hidden authorship and the strange genius of the Hitchcock empire.

This wasn’t just a story about Alfred Hitchcock the director. Readers zoomed in on something even juicier: Hitchcock as an early celebrity franchise machine. The article revisits how the man behind The Birds became a household name through TV intros, paperback horror collections and the wildly popular Three Investigators books, even as his later movies were losing steam. That contrast got people talking — hard. One side was fascinated by how a fading filmmaker somehow became more famous than ever, while others seemed delighted by the slightly sneaky showbiz magic of selling whole shelves of thrills under the Hitchcock name.

The tiny comment thread may be small, but it has a very internet energy: one reader, mitchbob, basically rolls up with an archive link like a digital detective dropping “receipts.” That low-key move somehow fits the whole Hitchcock mood perfectly — secret files, hidden credits, mysterious authorship. And that’s where the strongest reaction sits: people love the reveal that Hitchcock didn’t actually write the beloved children’s mysteries stamped with his name. It’s the kind of fact that makes fans gasp, laugh, then immediately say, “Wait… so who did?” There’s also a sly comic undertone to the whole thing: the master of suspense wasn’t just making films, he was becoming a logo, a narrator, a spooky uncle and a marketing empire all at once. Honestly, the comments practically beg for the meme: ‘Directed by Hitchcock, written by vibes.’

Key Points

  • Jonathan Coe recounts first seeing Hitchcock’s *The Birds* on BBC One in 1971 and explains that he initially knew Hitchcock more from branded books and magazines than from his films.
  • The article describes how Hitchcock’s name was attached to horror anthologies, *Alfred Hitchcock’s Mystery Magazine*, and *The Three Investigators* children’s novels, which were actually written by Robert Arthur.
  • Coe says Hitchcock’s filmmaking career was in decline in the late 1960s, citing *Marnie*, *Torn Curtain* and *Topaz* as relative commercial failures, with the latter two also described as artistic disappointments.
  • The article states that studios did not allow Hitchcock to pursue film ideas that would have taken advantage of relaxed censorship rules.
  • Despite his film slump, Hitchcock’s wealth and fame grew through television and spin-off media, with *Alfred Hitchcock Presents*, *The Alfred Hitchcock Hour*, and James Allardice’s scripted monologues helping make him a television star.

Hottest takes

"archive.ph/Gjhv0" — mitchbob
Made with <3 by @siedrix and @shesho from CDMX. Powered by Forge&Hive.